Back in April I covered the initial (original) books to come out from the Warhammer Horror line from the Black Library – a new imprint dedicated to the spoopier side of the various Warhammer settings – in the form of a short story collection and a triptych of novellas. (The early line was also filled out by a welcome reprint of Kim Newman/Jack Yeovil’s stories of the vampire Genevieve.)
Evidently, this initial experiment has had positive results. Not only have Black Library embarked on a somewhat more ambitious second wave of Warhammer Horror releases, but they’ve also announced Warhammer Crime – an imprint dedicated to stories set in the Warhammer 40,000 universe, which I guess would make a sensible home both for material inspired by the more sleuthing-based entries in the Eisenhorn or Ravenor series, or more police procedural-oriented material like the Enforcer trilogy. (Incidentally, if Warhammer Crime wanted to start with a bang, I’d say that a fourth Shira Calpurnia novel would be very welcome.)
The fact that they’re doing this suggests that not only do Black Library realise that there’s a substantial audience for Warhammer-related stories which do not focus on the full-blown warfare, combat action, and adventure fiction which makes up the backbone of the Black Library line, but they also realise that their range has now become sufficiently expansive that it’s become increasingly difficult for that audience to find what scratches their itch. If the proliferation of these imprints leads to an overall increase in the range of different types of stories offered by Black Library, that’s all to the good.
However, before Warhammer Crime debuts I’ve got some fresh new Warhammer Horror to enjoy, and in particular the first all-new full-length novel to be released in the line. This is The House of Night and Chain by David Annandale, who’s become something of a stalwart of the line, having contributed both to the Maledictions short story anthology and to the novella collection The Wicked and the Damned.