This article was originally published on Ferretbrain. I’ve backdated it to its original Ferretbrain publication date but it may have been edited and amended since its original appearance.
The story so far: August Derleth’s original Tales of the Cthulhu Mythos anthology (revised later by Jim Turner) proved a hard act to follow for Arkham House, with their first attempt at a followup – New Tales of the Cthulhu Mythos, edited by Ramsey Campbell – being a bit of a mixed bag.
Jim Turner made no secret in his introduction to his revised version of Tales that he had a bit of an axe to grind in terms of the Mythos as a literary subgenre, but under his auspices New Tales never, so far as I can make out, got a reprint (and hasn’t had one to this day). Instead, a new anthology was devised which would take the best of the New Tales, drop the rest, and replace them with fresher meat…
This 1995 release was one of Jim Turner’s last projects with Arkham House, before creative differences between him and April Derleth (daughter of August Derleth and co-owner of Arkham House) led to his departure. As with his revision of Tales of the Cthulhu Mythos, it has Turner banging the drum against unimaginative pastiche and pushing his very personal aesthetic take on the Mythos. In his introduction he asserts, as he did in his introduction to Tales, that the overall trajectory of Lovecraft’s writing was more SFnal than horror-based. This time around he gives a slightly more convincing argument by more directly discussing Lovecraft’s cosmicism, though I disagree with his assertion that horror intrinsically requires a malevolent universe – the implications of an indifferent universe are horrifying in and of themselves to anyone who appreciates how small, insignificant, and precarious our place in it is.
This anthology has been more extensively reprinted in recent years than New Tales, and it feels like it’s intended as a replacement for it. For one thing, it reprints the absolutely essential stories from there – Black Man With a Horn, Shaft Number 247, and The Faces At Pine Dunes. For another, whilst Turner’s revised take on Tales of the Cthulhu Mythos covered stories ranging from Lovecraft’s time to the 1970s, aside from a single Joanna Russ story from 1964 Cthulhu 2000’s stories all saw first publication in the time span from 1980 to 1993, so it does feel Turner’s attempt to present the hottest stuff that came out after the cut-off from his revised take on Tales.
Continue reading “Tales of the Cthulhu Mythos and Its Imitators, Part 3”