This article was originally published on Ferretbrain. I’ve backdated it to its original Ferretbrain publication date but it may have been edited and amended since its original appearance.
Stephen Jones’ Shadows Over Innsmouth series of anthologies takes an approach to compiling themed Mythos anthologies which represents a similar but different approach to Price’s ”Cycle” books – whereas Price’s Cycles take in stories which influenced or dealt with particular entities or concepts in Lovecraft’s fiction, Shadows Over Innsmouth compiles stories written in response to one specific Lovecraft story – namely, The Shadow Over Innsmouth. This is a concept which unfortunately gets tired out before the first anthology, Shadows Over Innsmouth, is even done – let alone when you get to the followup anthologies.
Jones starts the first collection out with the obvious-yet-redundant choice of Lovecraft’s own The Shadow Over Innsmouth – it’s obvious because it’s the story that inspired the collection, but redundant because there’s no fucking way anyone who went out of their way to buy this thing doesn’t already own it. Our first dose of original material is Basil Copper’s Beyond the Reef, which sets the tone for the rest of the book by being an amateurish pastiche. Copper makes a token attempt at a Lovecraftian prose style, but it’s inconsistently applied and rather poor and wooden. Mere imitation cannot reproduce the long effort Lovecraft put into finding his voice, and slipping into and out of that voice over the course of the story just exposes Copper’s poor grip on it. In addition, he commits the basic error of having a framing story which establishes the main narrative as being a particular character’s witness statement, but has them talking about themselves in the third person and recounting conversations in detail despite the fact that they weren’t actually present. I couldn’t finish it.