This article was originally published on Ferretbrain. I’ve backdated it to its original Ferretbrain publication date but it may have been edited and amended since its original appearance.
So, now that we’ve taken a look at The Starry Wisdom and its Alan Moore-flavoured inclusion, the short prose story The Courtyard, we can now put Moore’s latter-day forays into Mythos fiction under the microscope. These have largely taken place with the aid and encouragement of Avatar Press; first there was the limited series Alan Moore’s Yuggoth Cultures, collected into a trade paperback of the same name, which covered a mixture of archival Mythos and non-Mythos works by Moore, as well as some work not by Moore at all thrown in for the sake of the ride; then there was a comic book adaptation of The Courtyard, then a graphic novel sequel (Neonomicon), until finally and most recently Moore has treated us to a three-act graphic novel sequence collected in three trade paperbacks, entitled Providence. Over the course of these he develops a range of ideas about the Mythos – but does he really manage to grow beyond the kernel of a concept offered in The Courtyard’s original appearance? Well… let’s see.
Alan Moore’s Yuggoth Cultures
The title of this implies far more conceptual unity than it actually possesses. Yuggoth Cultures and Other Growths was originally conceived by Moore as a full collection of Cthulhu Mythos works, but Moore lost most of the manuscript in a London taxi. The most substantial of the surviving pieces was The Courtyard, originally intended for being adapted here until it was spun out into its own adaptation, whilst the other scraps – Zaman’s Hill and Recognition – were brief poems.
What you get here, then, is not Yuggoth Cultures as originally envisioned by Moore, not least because he never envisioned it as a comic in the first place. Instead, it’s a mixture of long-lost odds and ends from Moore’s back catalogue, a range of interviews, essays, and supporting pieces, adaptations by Antony Johnston of non-comic works by Moore (including the two non-Courtyard bits of Yuggoth Cultures that survive and a couple of songs), and Yuggoth Creatures, a big fat slab of Antony Johnston’s own comics-format Mythos pastiches.