In the 1980s the sleazier end of the Italian movie industry – especially when it came to genre movies – became known for its rip-offs of much more successful movies. Great White – AKA The Last Shark – ripped off Jaws, and Alien was ripped off by Alien 2: On Earth and Contamination (AKA Alien Contamination). The latter was the responsibility of Luigi Cozzi – famed mainly for Starcrash, a bizarre movie which somehow manages to rip off every single SF adventure movie of the late 1970s at once – who is also the director responsible for Paganini Horror, working from a script he cowrote with veteran Italian horror actress Daria Nicolodi.
The movie is another attempt at a ripoff, though the logic behind this one is bizarre. Rather than riffing on a Hollywood blockbuster – in retrospect, fucking with the intellectual property of the wealthiest movie studios with the biggest legal departments was a silly idea – he’d try and predict and jump on the bandwagon of the next big arthouse craze. Klaus Kinski was, at the time, infamously obsessed with completing a vanity project of his – Paganini, AKA Kinski Paganini, in which he would play the famous violinist. Cozzi was convinced that Kinski’s movie would be a monster hit, or at least stir up enough controversy to generate a brief flurry of interest in Paganini – so he decided to make a horror movie with a Paganini theme. Hence: Paganini Horror.