In A Cat In the Brain director Lucio Fulci stars as none other than Fulci himself, with his biography here more or less in line with his biography in real life: he’s an ex-doctor turned movie director, he’s deep enough in a horror rut that if he even tried making more genteel and wholesome material he’s convinced nobody would pay to see it, and even though he’s gained a substantial international reputation his fortunes are a little faded and he’s stuck cranking out material in his standard mode. Even as he lavishes attention on his movies, using his medical knowledge to make the gore look as realistic as possible, Fulci is beginning to feel the strain, with terrible dreams and even waking hallucinations finding the themes of his movies worming their way into his real life – why, it’s even putting him off his steak tartare.
It’s time he talked to someone, and so he decides to talk to Professor Egon Swharz (David L. Thompson). Unfortunately, the professor isn’t an ethical psychiatrist so much as he’s a crazed hypnotist, and far from helping Fulci put his brain in order he sees Fulci’s condition as the perfect cover for his own project. You see, Swharz really wants to get out and do some serial murder of a viciously misogynistic variety, and Fulci is the perfect fall guy – he just has to hypnotise Fulci so that Fulci is caught in a morass of hallucinations, causing him to see himself as the killer, and then Swharz can go as kill-happy as he pleases and Fulci will practically convict himself.
Except, of course, everyone knows that Fulci is a horror director and a weaver of wild fantasies… so even when he tries to confess to the murders, will anyone believe him or will they take it as just a tasteless publicity stunt?