A Renegade Scientologist’s Creation Myth

The Gods of Eden is nothing less than an attempt to write a history of the world from its creation to the present day, and detailing how since prehistory a secret Brotherhood has manipulated society. Generally-accepted history is merely a scam, a cover story designed to obscure the Brotherhood’s role and to advance its agenda; when you peel back the curtain and look at the real story, which Bramley is happy to share with us, it becomes evident that the march of history is shoving us in a very dark direction indeed, as the Brotherhood speeds up their plan to establish a New World Order in which a world government exerting mass mind control will attempt to spiritually deaden us to prevent us attaining collective enlightenment.

The cruellest irony is that the Brotherhood, originally called the Brotherhood of the Snake, used to be benign – having been set up by one of the aliens who created humanity back in ancient days (whose deeds are recorded in Sumerian myth) in order to slip the truth out to us regular humans. Over time, however, the Brotherhood was infiltrated and corrupted by the more malevolent aliens, who realised that it made a very convenient basis for a secret government of Earth which they could use to pull our strings indirectly, and who used it to establish more or less all mainstream religions, either by fabricating them wholesale or by corrupting them and steering them away from their founders’ original intent. Only by waking up to the Machiavellian manipulation which keeps us warring constantly against each other can we face down these aliens, which the book refers to as the Custodians, and free ourselves from their manipulation.

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Not As Sharp As Occam’s Razor

As previously documented here, The Black Alchemist was Andrew Collins’ self-published sleeper hit which kicked off a flurry of interest in psychic questing. His followup would actually get issued via Arrow, a mainstream publisher, and would be his magnum opus: whilst he had written accounts of psychic quests before and after, none would be as massive, wide-ranging, or take in such a broad picture of his questing career from its inception in 1979 to the book’s emergence in 1991. That book would be The Seventh Sword, perhaps the deepest dive you could take into psychic questing without getting up and actually dabbling in it yourself.

The book is divided into two parts. The first part constitutes Collins’ definitive account of the finding of the Green Stone and the associated Meonia Sword – as he’d previously recounted in his self-published pamphlet The Sword and the Stone, and as Graham Phillips and Martin Keatman detailed in The Green Stone. Far from redundant, this involves Collins going into the subject in substantially greater depth than any previous recounting of the story, and delving into subjects that Phillips and Keatman had only glancingly addressed.

The second part picks up a few years later and takes in a span of some six years; after Collins learns that the Meonia Sword was not a unique artifact, but part of a set of seven, bit by bit the other swords are uncovered. It turns out that the occultists who’d hidden them in past centuries had intended that they be used in a ritual known as the Form of the Lamb, to unfold at a location known as the Heart of the Rose, in order to herald the coming of the Messiah and other such high spiritual and utopian goals. Eventually six swords are discovered, leaving only the titular Seventh Sword – which, due to its association with the powers of darkness, was known as the Black Sword. The book concludes with Collins still searching for it and encouraging readers to help out in the quest.

Over both parts, Collins and his allies must tangle not only with the difficulties of searching out the artifacts but also believe that they are opposed by a grand occult conspiracy – one which the Black Alchemist and his Friends of Hecate were only a local franchise of. With an Illuminati-esque level of power (and the appropriate tangled Masonic heritage), this conspiracy is never too far away. Can Collins and his questers avoid being ground down by… the Wheel???

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A New Strategy For Battlefield: Earth

This article was originally published on Ferretbrain. I’ve backdated it to its original Ferretbrain publication date but it may have been edited and amended since its original appearance.

In the grim darkness of the far future there’s only slavery – humanity having been enslaved by the evil economically-driven Psychlos, tall aliens who wear big stompy boots and dreadlocks. One day, Terl (John Travolta) – the Psychlo in charge of the security of their operations on Earth – decides to see if humans can be trained to mine gold, and he picks recently-captured chump Jonnie Goodboy Tyler (Barry Pepper) as his first test subject and begins subjecting him to vastly accelerated speed learning. This, of course, allows Tyler to realise humanity’s old accomplishments and hatch a plan to lead a daring revolution to overthrow the alien oppressors. It involves using that speed-learning tech to allow him and his pals to use some remarkably well-preserved fighter aircraft…

Battlefield Earth is a legendarily bad movie spawned from a legendarily bad book by L. Ron Hubbard, penned after he’d grown tired of cranking out Scientology material and decided to turn his hand to a bit of old school science fiction. I don’t really need to break down the deficiencies of the movie – that road’s been well-trod. For this article, I’d like to instead try out a little thought experiment: could there have been a route which would have led to the movie, if not actually being good, at least being entertainingly watchable?

Let’s put some restrictions on our thought experiment to make it interesting. Let’s say that we can’t just pirate the material – thus, like the actual filmmakers, we must still report back to David Miscavige, current God-Emperor of Scientology, and justify any changes to him. On the other hand, Miscavige is a weird tyrant, so let’s give ourselves a little advantage: let’s pretend we have an expert Miscavige-wrangler on hand who’s great at pitching ideas to him so that he will accept them, provided that some sound fiscal or doctrinal basis can be found.

Likewise, let’s assume that we have to stick to the actual story as penned by Hubbard; we are allowed to abridge and cut parts – the issued movie did, after all – but we can’t just abandon it completely.

With these restrictions in place, here’s what I reckon you could do.

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Jonestown, White Night, and What Scientology Could Have Taught the People’s Temple

This article was originally published on Ferretbrain. I’ve backdated it to its original Ferretbrain publication date but it may have been edited and amended since its original appearance.

If anything, Tim Reiterman was even closer to the events recounted in Raven than Bugliosi was in Helter Skelter. Whereas Bugliosi only arrived on the scene after the fact in Helter Skelter and can only directly attest to what went down in the trial, Tim Reiterman was part of the team of journalists accompanying Congressman Leo Ryan’s doomed visit to Jonestown, and was wounded in the People’s Temple attack on the party (and the group of Temple defectors they were trying to get to safety) at the Port Kaituma airstrip.

Horrifying as it was, that attack was a mere foretaste of the carnage that Jim Jones was simultaneously planning in Jonestown, as he led his people in a carefully rehearsed process of murder and mass suicide that was, at least as Jones explained it, intended to act as the ultimate protest against a capitalist world that wouldn’t leave them be. There is room for debate in terms of how serious he was about this motive – his claims that “mercenaries”, the Guyanese army and other hired guns of capitalism were out to invade and destroy Jonestown were backed up by faked assassination attempts, just as earlier in his career his claims of healing powers were backed up by faked faith healings, so there is every chance that he didn’t really believe his own rhetoric captured on the infamous “Jonestown death tape” about how soldiers were going to swoop in and torture and kill all the town’s inhabitants.

What is not in doubt is Jones’ commitment to mass suicide as an exit strategy: as well as the famous “White Night” drills that prepared the inhabitants of Jonestown for self-destruction, Raven documents how Jones was running hoaxed suicide drills even when he was headquartered in the United States, years before Jones’s spiralling paranoia, increasing legal and journalistic scrutiny, and a string of defections from the People’s Temple prompted his retreat to his Guyana hideaway. Given the Temple’s vehemently (and often counter-productively) aggressive responses to even a hint of journalistic curiosity or law enforcement interest, an arguable case could be made that what Jones was really doing on that final White Night was fleeing the consequences of his actions, his pride rendering him unable to face either the criminal charges that would have inevitably followed the attack on the Ryan party or the exposure of his secrets that would follow.

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The Family That Slays Together Stays Together

This article was originally published on Ferretbrain. I’ve backdated it to its original Ferretbrain publication date but it may have been edited and amended since its original appearance.

The phenomenon of American lawyers writing books about famous cases they have been involved with isn’t really surprising – if anything, I’m personally surprised we don’t see more doing it. A key skill of being a good trial lawyer is being able to present a believable and engaging narrative to the court which persuasively accounts for all the evidence; in addition, anyone performing this task in a jury trial needs to be able to make this narrative clear and understandable to a cross-section of the general public who don’t necessarily have any specialised knowledge of the subjects at hand. Any diligent attorney’s case file would consequently already provide most of the necessary research and documentation necessary to produce a book.

Vincent Bugliosi’s Helter Skelter, produced with the aid of Curt Gentry, is a particularly good example of the genre. Although any attorney’s account of a trial is necessarily going to partial towards the case they presented, Bugliosi is of the school of lawyers who believes in making an open and honest assessment of their case’s flaws and gaps. Whilst you might think a prosecution lawyer wouldn’t want to introduce gaps in their story or failings in the police investigation into their case, it’s ultimately good practice to own up to such things: in any area of law, if you are able to identify the weaknesses in your own case and present them to the court first, before the other side do, it allows you to get whatever response or explanation you want to present for them in first, and it means the other side can’t pull it out and confront you with it like it was something you were trying to hide.

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Bernard the Storyteller

This article was originally published on Ferretbrain. I’ve backdated it to its original Ferretbrain publication date but it may have been edited and amended since its original appearance.

Andrew Collins, a key figure in the development of “psychic questing” and a participant in the events of The Green Stone and The Eye of Fire, didn’t just restrict himself to helping out his buddies Graham and Martin in their quests; a practised ceremonial magician in his own right and benefiting from a wide network of friends and contacts in the community, he was more than able to conduct his own investigations, usually with a suitable psychic colleague guiding him.

One such colleague was “Bernard” – his true identity not disclosed by Collins out of respect to his wishes. In the mid-1980s, Andy and Bernard discovered something disturbing: their questing efforts kept crossing the path of a mysterious figure, an individual that they never met in person but who Bernard was able to sense psychically. Time and time again, they’d arrive at some sacred site or other to discover that the individual they’d dubbed the Black Alchemist had been there first, often leaving behind strange tokens and other remnants of his sinister rituals.

As time went by, it became dreadfully apparent that the Black Alchemist was aware of them – and indeed part of his plans involved harming sacred sites which both Andy and Bernard had adopted a sort of spiritual guardianship of. Eventually, they found that the Black Alchemist had gained a cult of devotees – including his fearsome second-in-command, the Black Sorceress of Arundel – and that their plans involved nothing less than creating a sort of immaterial Antichrist – a superhuman entity existing only in the spiritual realm and unhampered by gross matter, able to act to spread evil on a global scale. And the side effects of this working included such events as the hurricane which unexpectedly wreaked havoc in Britain in 1987…

…or maybe Bernard was making all of this shit up, but Collins never suspects this for a second.

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Save vs. Libel, Pt. 2: The Rumour Dies, the Scars Remain

This article was originally published on Ferretbrain. I’ve backdated it to its original Ferretbrain publication date but it may have been edited and amended since its original appearance.

(Content warning for this series: over these two articles I’m going to touch on sexual abuse, mental health issues, suicide, and Gamergate. If you aren’t up for such subjects, maybe skip these.)

As outlined in the first part of this article, the popular rumours smearing Dungeons & Dragons were largely driven by the James Dallas Egbert III case, but soon took on a life of their own. It would take other hands, however, to really bring them to the absurd pitch that they’d reach during the Satanic Panic – and the primary driver of that process was Patricia Pulling.

You can see Pulling as the David Icke of Dungeons & Dragons conspiracy theories: many of her ideas were parroted from others, her credentials and competence as a researcher and investigator were wildly overstated, and she’s mostly notable for weaving all of the different theories she picked up from others into a dizzyingly paranoid collage, a fear-riddled look at the world in which almost anything she didn’t approve of was part of a grand conspiracy to destroy America’s children.

The major difference between Pulling and Icke is this: in Britain we laugh at our extreme conspiracy theorists, in America they get elected President. Whilst Pulling never attained quite that level of power she did end up with an undue level of influence – particularly within police forces which turned to her as a consultant on “occult crime” – which resulted in her being treated as an expert in criminal cases when in fact her credentials were not up to snuff. (If you want an illustration of how dangerous it is to have unqualified amateurs posing as experts and hyping their personal conspiracy theories to the police, you could do a lot worse than doing some Googling on the subject of the West Memphis Three.)

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